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Buy individual tracks from the album Conversations

Featured on BBC Radio 3’s Jazz Line Up in April 2006, Conversations is the debut album from Threeway. Consisting of trumpeter and flugelhornist Steve Waterman, pianist Steve Lodder and electric bassist Ben Crosland, this is British chamber jazz at its finest.

"The interplay among them is unfailingly ingenious without descending into needless complexity." Dave Gelly - The Observer


Listen to samples of Conversations
:

Track 1: Miles' Delight
Track 2: Marshall Lore
Track 3: With Heather In Mind
Track 4: The Road Ahead
Track 5: Faultline
Track 6: Minor Alterations
Track 7: Across The Land
Track 8: Warm One
Track 9: Spring In Somerville
Track 10: Jasmine
Track 11: A Backward Glance
Track 12: Snowbound

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Item# Item Name Our Price Qty Add
TConversations1 Miles' Delight £1.00
TConversations2 Marshall Lore £1.00
TConversations3 With Heather In Mind £1.00
TConversations4 The Road Ahead £1.00
TConversations5 Faultline £1.00
TConversations6 Minor Alterations £1.00
TConversations7 Across The Land £1.00
TConversations8 Warm One £1.00
TConversations9 Spring In Somerville £1.00
TConversations10 Jasmine £1.00
TConversations11 A Backward Glance £1.00
TConversations12 Snowbound £1.00
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Album Information:

Featured on BBC Radio 3’s Jazz Line Up in April 2006, Conversations is the debut album from Threeway. Consisting of trumpeter and flugelhornist Steve Waterman, pianist Steve Lodder and electric bassist Ben Crosland, this is British chamber jazz at its finest. 

Recorded for Crosland’s own Jazz Cat label, there is a sincere sense of comradery throughout the album, with all three musicians dedicated to the cause of jazz melodicism. Each member is given ample space to solo, yet none ever venture too far from the structured nature of the compositions. Marshall Lore in particular is illustrative of this, conjuring soundscapes usually associated with Kenny Wheeler’s groups. Dedicated to the memory of Rod Marshall, Crosland’s “longest standing friend in jazz”, Waterman performs the emotive melody whilst evoking a gorgeous subtle warmth. Lodder too shines, giving a magnificent display of his nimbleness and pianistic dexterity.

Prior to this the opening track, Miles’ Delight, has Waterman bridging the reflective gap between Miles Davis’ and Kenny Wheeler’s sound. It is a beautiful piece, with Crosland driving the tune along with swinging perfection.

Another example of Threeway’s interplay is Minor Alterations. Lodder has both the subtle touch for accompaniment and the graceful skill to shine when soloing – in this particular case he develops some intricate harmonic explorations. There is a stunning Crosland solo also, with the bassist soaring in the upper registers of his instrument, creating a sweet melodious statement.

There is no dwelling on this album, no lingering on the obvious or extending the unnecessary. The players perform their solos with precision and then move aside, allowing their band-mate to express themselves. The album’s ending number, Snowbound, is testament to this. Built around a bass ostinato, often played in unison with Lodder’s left hand, Waterman’s gorgeous opening horn melody makes way for some great vamp work from Lodder, who eventually solos with the added grace of Crosland’s contrary-motion bass work. Sublime.

This is a little gem of an album, reflecting the sheer quality of musicianship this country has to offer.



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